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Difference between revisions of "Episode M29"
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JRTerrier24 (talk | contribs) (Episode Info) |
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|762|sol1=(7 + 1) × 100 − 7 × 4 − 10 | |762|sol1=(7 + 1) × 100 − 7 × 4 − 10 | ||
|760|sol2=(100 + 10) × 7 − (7 + 4) + 1 | |760|sol2=(100 + 10) × 7 − (7 + 4) + 1 | ||
− | |cv=761|solcv=(7 + 1) × (100 | + | |cv=761|solcv=(7 + 1) × (100 − 4) − 7 |
|14|41|46}} | |14|41|46}} | ||
{{R-conundrum|6|aeilnnpss*|c1time=7|c1sol=painless {{x}}|c2time=8|c2sol=PLAINNESS|14|51|56}} | {{R-conundrum|6|aeilnnpss*|c1time=7|c1sol=painless {{x}}|c2time=8|c2sol=PLAINNESS|14|51|56}} |
Revision as of 20:31, 9 July 2011
Episode M29 was was broadcast from 16 October 1989 to 20 October 1989, as part of the Countdown Masters.
Liz Wilcox played Roy Jackson, with Roy Jackson winning 85 – 60. The lexicographer was Freda Thornton.
Rounds
Rnd | Selection | Liz Wilcox | Score | Roy Jackson | Others | Max. |
---|---|---|---|---|---|---|
1 | HPDWREOAS | DRAPES | 0 – 7 | POWDERS | RHAPSODE, SHADOWER* | 8 |
2 | 75 1 8 10 7 7 → 763 | — | 0 – 17 | 763
10 × 75 + 7 + 7 − 1 |
|
18 |
3 | aeiilnptv* | 0 – 27 | PLAINTIVE
(4 seconds) |
28 | ||
4 | FBSTDAEIN | STAINED | 7 – 34 | STAINED | BANDIEST | 36 |
5 | 100 10 7 4 1 7 → 761 | 762
(7 + 1) × 100 − 7 × 4 − 10 |
14 – 41 | 760
(100 + 10) × 7 − (7 + 4) + 1 |
CV: 761 = (7 + 1) × (100 − 4) − 7 |
46 |
6 | aeilnnpss* | painless ☓
(7 seconds) |
14 – 51 | PLAINNESS
(8 seconds) |
56 | |
7 | GNPGNIOIN | PINNING | 21 – 58 | PINNING | GINNING*, INGOING*, OPINING*, PINGING, PONGING | 63 |
8 | 75 5 4 2 2 3 → 653 | 653
(5 + 2 + 75) × 4 × 2 − 3 |
31 – 58 | 650 |
|
73 |
9 | aiillmrsy* | 31 – 68 | SIMILARLY
(3 seconds) |
83 | ||
10 | SNPDKAEIL | SPANKED | 38 – 68 | SLAKED | KNAIDELS* | 91 |
11 | 25 7 6 3 9 2 → 173 | 173
25 × 7 − 2 |
48 – 78 | 173
25 × 7 − 2 |
|
101 |
12 | LOUSITYPE | 48 – 78 | PITEOUSLY | 111 | ||
13 | DCTVQAIAO | DIVOT | 53 – 78 | COAT | DACOIT* | 117 |
14 | 25 6 6 2 3 7 → 514 | 513
7 × 3 × 25 − 6 × 2 |
60 – 85 | 513
(3 × 6 + 2) × 25 + 7 + 6 |
Best: 514 = ((25 - 3) × (6 + 6) − 7) × 2 |
127 |
15 | cfhikoprt* | 60 – 85 | PITCHFORK | 137 |